Decades presentation

As a group we had to create a presentation that educated our audience on our decade in an interesting, and engaging way.

our idea initially started because none of our group where particularly comfortable with speaking in front of a large group. Our idea therefore became to perform a silent movie. we decided that to make this movie most definately 1920s we had to incorporate certain obvious elements that keep it unique to this decade.

so we decided to evolve our movie around the Chrysler Building designed my architect William Van Allen in 1928. we also included flappers, Louis Armstrong Jazz.

to justify why we decided to act out our film instead of pre record it we decided to use the fact that the first 3D movie was shown in the mid 1920s. for this we cut out over 100 pairs of 3D glasses to give out to our audience

here our some pictures from our preparation week

Watch what 1920s life was like for the 

 FLAPPERS

Man Ray

GO TO MAN RAY TRUST SITE

Cecil Beaton

Born in 1904 in London and coming of age at the peak of the 20s, Cecil Beaton was in love with the worlds of high society, theater, and glamour. Beauty in his hands was transformed into elegance, fantasy, romance and charm.

His inspired amateurism led to a following among fashionable debutantes and eventually a full fledged career as the foremost fashion and portrait photographer of his day. He was so attuned to the changes of fashion that his career maintained its momentum for five decades

1920 Photography : Imogen Cunningham

GO TO IMOGEN CUNNINGHAMS TRUST SITE

Constructavism

In direct contrast to Poetism, Constructivism stressed objectivity and machine production. Optimistic and sometimes even utopian, Constructivist design celebrated technology, progress, and the future. Bauhaus and de Stijl influences can be seen in Czech Constructivist book design, which was particularly dominant in the mid- to late 1920s. Photography, typography, and theater sets provided rich areas of activity for Constructivist designers, and architecture was also an important source of inspiration. Ladislav Sutnar's design for a 1932 translation of George Bernard Shaw's Captain Brassbound's Conversion [1932] utilizes many devices characteristic of Constructivism: photomontage; functional, sanserif typography; a strong grid structure with diagonal orientation; and the presence of a circle, an important iconic element for many Constructivist designers and a characteristic of all book designs for Devetsil by Odeon Press, their publisher from 1925.